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市委巡察组来绥巡察动员会议召开_我的网站

下北阳光灿烂的日子

一 |     根据省委、市委关于巡察工作的统一部署,4月9日、10日,市委第八巡察组进驻绥中县沙河镇、东戴河新区、前所镇,并召开巡察工作动员会。市委第八巡察组组长左自鸿,县委副书记、县长、东戴河新区党工委书记韩景生等县和东戴河新区领导出席会议。

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Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
    Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
Open Douyin, the Chinese version of TikTok, and AI-generated short dramas are hard to miss.
The stories span almost every genre familiar to Chinese audiences, from fantasy and immortal cultivation to urban romance and period tales.
The biggest difference is that the actors, settings and even many of the visual elements are generated by artificial intelligence (AI).
One of the latest hits is The Inverse Zone, an original mystery-thriller about monsters that has been dubbed an AI version of Stranger Things. The series has released three episodes so far, each receiving more than 1 million likes on Douyin.
Yet the team behind it consists of just three people, all born after 2000.
While Hollywood is still catching up with the short drama boom, China's short-drama industry is already moving into the AI era.
For many young creators, AI is not just another tool - it is a door that small teams could never have opened before.
"We've always wanted to make professional film and television content, with visual language, complete storytelling and a cinematic feel," Hu Hai, a member of the team behind The Inverse Zone, told the Global Times. "But the cost and barriers of live-action production were too high. Small teams had little chance to realize high-quality film and television projects."
As increasingly capable domestic AI models emerged, that door began to open. "The maturity of AI creative tools made us see new possibilities," Hu said.
The explosive growth of AI-generated short dramas is a double-edged sword: It opens doors for some, but leaves many in the industry uncertain about what comes next. Many actors who once benefited from the short-drama boom are now finding work increasingly scarce, with some turning to other professions. Meanwhile, the use of celebrities likenesses in AI-generated content (AIGC) has ignited a fresh wave of debate.
Where is the industry headed next? Global Times reporters spoke with AI creators, short-drama actors and industry experts about the opportunities and uncertainties ahead.
    
Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Lowering barriers

Hu studied directing and filmmaking in college. His team initially focused on short comedy videos, a field with relatively low production costs and less barriers to entry. But after years of producing this type of content, they eventually reached a creative plateau. That began to shift as more advanced AI tools came onto the scene.
To produce The Inverse Zone, the team used domestic video-generation models Seedance 2.0 and 2.5. The series took nearly two months to prepare, including world-building, character design and establishing a consistent visual style. "Seedance is the best in the world. It's extremely advanced. There's no model in Europe or the US that is more useful than it," Hu told the Global Times.
The technology does not mean production is effortless, however.
According to Hu, a typical episode costs around 4,000 to 5,000 yuan ($593-$741) to produce, while episodes involving large-scale scenes, complex special effects or demanding lighting and rendering can cost more than 10,000 yuan.
The team used AI for image generation, basic voice work and material rendering, while humans remained responsible for the script, character development, cinematography and post-production.
"The soul of the entire series is still controlled by people," Hu said. "All the key creative decisions are manually adjusted and repeatedly reviewed."
Ya Cen, operations head of AI video platform LibTV, told the Global Times that the AI short-drama ecosystem is now characterized by small teams, high productivity and strong individual styles. "The most direct value of AIGC is that it has lowered the geographic and financial barriers to film and television production," she added.
Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Actors in AI era
Yet the rise of AI short dramas is also creating new tensions.
AI-generated characters are now building fanbases, landing brand endorsements, and being described as the next generation of digital stars. At the same time, many celebrities including Taiwan actress Joey Wong have reportedly given permission for their younger likenesses to be used in AIGC.
The impact extends beyond celebrity likenesses. It is also being felt by people who once benefited from China's booming live-action short-drama industry.
The short-drama boom created opportunities for large numbers of actors, many of whom could quickly become recognizable faces. However, as AI-generated productions expand, some performers are finding fewer acting opportunities and turning to other professions.
Chongqing native Luo Xinyuan, 21, has experienced that shift firsthand.
She spent more than a year in Hengdian, East China's Zhejiang Province as a short-drama actress. Since May, she has worked at a scenic area playing Huang Rong, a character from a classic Chinese martial arts novel The Legend of the Condor Heroes.
"When short dramas were at their peak, there were lots of fast-paced, feel-good stories," Luo told the Global Times. "But that kind of content is difficult to sustain. Without richer and more meaningful stories, the pressure from AI short dramas will make things even harder."
For many short-drama actors, the disruption is likely to be structural rather than an immediate wholesale replacement, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times. The question of celebrity likenesses may prove even more complicated.
Zhang warned that unrestricted authorization could raise concerns over control and revenue sharing. Without clearer rules, the technology could put further pressure on ordinary actors.
The next stage may not be a choice between humans and machines, but a new production model in which the two increasingly work together.
For creators such as Hu, that possibility is already here.
"AI has finally given young creators like us the opportunity to realize the film and television dreams we've had for years," he said.
。           左自鸿说,本轮省委、市委安排对绥中县乡镇开展常规巡察,对东戴河新区开展回头看及常规巡察,充分体现了省委、市委的高度重视,也体现了绥中县在振兴发展中的地位作用。要切实提高政治站位,主动接受政治监督,要紧紧围绕履行责任使命,着力精准发现问题。要强化政治意识,要把接受巡察作为自觉增强“四个意识”、坚定“四个自信”、做到“两个维护”的过程,要强化协调配合,强化纪律要求,支持配合巡察工作,共同完成好市委赋予的政治任务。           会议强调,东戴河新区要自觉提高政治站位,认真落实市委巡察组工作要求,自觉服从巡察安排、遵守纪律规矩、扛起整改责任、强化政治担当、深化巡察运用,要以此次巡察为契机,进一步贯彻落实中央及省委、市委决策部署,进一步理清发展思路,细化工作措施,确保抓实见效,真正把巡察工作的成效体现到推动高质量发展实践中,为全面振兴新突破贡献东戴河更大力量。           被巡察乡镇负责同志表示,将坚决按照市委巡察组要求,按部就班地做好相关工作,确保巡察工作顺利开展。要进一步统一思想,提高认识,自觉接受政治巡察,要认真准备、全力支持,积极配合巡察工作,要接受监督,认真整改,以实效推进工作提升,为绥中县取得新成就贡献力量。           据了解,市委第八巡察组将在4月9日至6月19日提级巡察绥中县沙河镇党委、东戴河新区党工委和前所镇党委。巡察期间设巡察信访举报电话:15566472379,电子邮箱:[email protected],设置意见箱、邮政信箱:市绥中县新兴街1段2号,受理信访时间截至2024年6月17日。           根据巡视工作条例规定,市委巡察组主要受理反映沙河镇党委、东戴河新区党工委、前所镇党委领导班子及其成员、下一级党组织领导班子主要负责人和重要岗位领导干部问题的来信、来电、来访,重点是关于违反政治纪律、组织纪律、廉洁纪律、群众纪律、工作纪律和生活纪律等方面的举报和反映。其他不属于巡察受理范围的信访问题,将按规定由有关部门认真处理。

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